NSPCC is a charity organization aimed to protect children from abuse Essay

NSPCC is a charity organization aimed to protect children from abuse and family violence - Essay Example A charity like NSPCC operates in a complex environment influenced by political and social difficulties, family relations and laws. The vulnerability of the charity like NSPCC is determined by its degree of dependency on a resource and the external sources of this resource (i.e., the greater the dependency, the higher the potential for loss of autonomy). NSPCC depends upon resources and philanthropy (NSPCC Home Page 2008). 7 Ps model can be applied to NSPCC and its activities. The main Ps are product, price, promotion and place. Strong position of a charity organization is based on brand loyalty and high quality of service range. The likely decision process of the target market is the quality and unique taste that appeals to the consumers' minds with offerings. Product positioning is characterized by establishing trustworthiness, confidence, and competence for customers. NSPCC establishes trustworthiness and unique image as a children's rights organization (McDonald and Christopher 23). This strategy is supported by the "buying process" and the pricing, and as the most important high quality of all services. Pricing decisions influence the organization forcing it to find new ways to reduce costs. NSPCC can use flexible cost-plus pricing to ensure that its services are competitive in the context of the particular market environment. NSPCC has to spend its own resources in order to meet the requirements focusing on technological efforts, security and support. NSPCC opens new officers and involves different social institutions in order to meet needs and demands of the target audience. As a typical marketing company, NSPCC promotes its activities and policies including public relations and advertising campaigns. Modern marketing is customer-oriented, so a charity organization like NSPCC depends upon physical layout, customer service and processes concerning customer service. Unique services help NSPCC to sustain its market position and develop strategies according to current needs and demands of the target audience. Given the increasing turbulence and complexity of the market place, and the rapid pace and impact of technological change, the need for a disciplined, systematic approach to the market has never been greater. Customer service and processes involve call centers and support, people's centers and live chats, etc. Physical layout involves attention to learning environments a nd attractive layout of agencies, etc. in sum, these features show that NSPCC follows marketing principle of a traditional business applying them to unique environment and purposes (McDonald and Christopher 29). The location of the customer is not strictly physical, though. In many if not most instances of service-giving, location is preponderantly psychological. Even physical location is likely to be chosen for its psychological "image" association or its easy exploitation of well-established customer habit. Successful service is always as much an entertainment

A Meditation on Yellow Summary Essay Example for Free

A Meditation on Yellow Summary Essay 1. Created by: Patricia L. PittSan Fernando East Secondary School, Trinidad and Tobago, West Indies   2. Travellers’ Tales   3. Meditation on YellowJennifer Rahim, lecturer in English in theDepartment of Liberal Arts at the University of theWest Indies, St. Augustine, Trinidad has describedthis poem as â€Å"a clever, satirical monologue thattraces the evolution of the capitalist ethos in theregion.†She notes that â€Å"Senior evokes the color yellow assymbol of a historical continuum of plunder,enslavement, and servitude that marks theCaribbean’s relations with the developed world,beginning with the conquistadors’ misguided searchfor gold, then the sugar of the colonial plantationeconomy, and finally the trade in sunshine and sandof the contemporary tourist industry. † 4. Meditation on Yellow-Part 1Gabriel Garcia Marquez wrote a novel entitledOne Hundred Years of Solitude. He has statedthat his favourite shade is:â€Å"The yellow of the Caribbean seen fromJamaica at three in the afternoon†¦Ã¢â‚¬ A dominant theme in his One Hundred Yearsof Solitude is the inevitable and inescapablerepetition of history. The protagonists arecontrolled by their pasts and the complexity oftime.Garcà ­a Mà ¡rquez also used colours as symbolsin this book. Yellow and gold were the mostfrequently used colours and they weresymbols of imperialism and the SpanishSiglo de Oro. Gold signified a search foreconomic wealth, whereas yellow representeddeath, change, and destruction. 5. Meditation on Yellow-Part 1El Dorado is Spanish for thegolden/gilded one). Legend has itthat it was the name of a Muiscatribal chief who covered himselfwith gold dust and, as an initiationrite, dived into a sacred highlandlake. Later it became the name of alegendary Lost City of Gold thathas fascinated – and so far eluded –explorers since the days of theSpanish Conquistadors. Thoughmany have searched for years onend to find this city of gold, noevidence of such a place has beenfound.El Dorado came to be usedmetaphorically of any place wherewealth could be rapidly acquired. 6. Persona-An Arawak of Jamaicaâ€Å"Had I known I would havebrewed you up some yellow fever-grassand arsenicbut we were peaceful thenchild-like in the yellow dawn of our innocence†¦Ã¢â‚¬ Lemon/Fever Grass Fever grass tea Yellow sulphide of arsenic 7. â€Å"a string of islands and two continents†for â€Å"a string of beads and some hawk’s bells†¦Ã¢â‚¬  Usually the word string would be followed by pearls, something of value. In this case however, the Indians received worthless  glass beads and hawk’s bells. 8. â€Å"(you were not the last to be fooled by our patina)†In the Taino culture of the Antilles, aguanà ­n was a badge of triballeadership, worn by the Cacique(chief).It was a mixture of Gold and Bronze,made from flakes of gold extractedfrom rivers; these flakes werepounded with rocks until theymelted together into a small discwhich the Cacique could weararound his neck or some other partof the body.It attracted early European visitors. 9. â€Å"As for silver/I find that metal a bit cold† To bite the bullet is to endure a painful or otherwise unpleasant situation that is seen as unavoidable. 10. Meditation on Yellow-Part 2 Persona –Hotel/Hospitality Worker â€Å"served by me skin burnt black as toast (for which management apologizes)†Ã¢â‚¬Å"At some hotel overlookingthe sea†¦Ã¢â‚¬  11. â€Å"I’ve been slaving†¦Ã¢â‚¬ 12. â€Å"I’ve been slaving†¦ for your†   13. â€Å"Just when I thought I could rest†¦Ã¢â‚¬  Tourism-the new form of colonization and exploitation†¦ 14. â€Å"So I serving them†¦Ã¢â‚¬    15. â€Å"But still they want more†¦Ã¢â‚¬  Sex tourismâ€Å"want it strongwant it longwant it blackwant it greenwant it dread† 16. â€Å"You cannot stop those Streggehs†-loud, promiscuous women in Jamaica Cassia Allamanda Poui Golden Shower 17. â€Å"You cannot reverse Bob Marley wailing†¦Ã¢â‚¬ Ã‚  18. Bibliography for Med on Yellow

Ethical Issues In Photojournalism Media Essay

Ethical Issues In Photojournalism Media Essay Photojournalism is an easily neglected aspect of journalism. It is a particular form of journalism, which includes the gathering, editing, and presenting of news material for publication, in order to tell a news story. We have to ask ourselves, what does a news photograph indicate to its audience and how is it interpreted by the news audience? It was once stated by Hall (1981) that photographs are often seen as literal visual-transcriptions of the real world. Although, it can be argued that photographs can reveal the journalists bias and are sometimes not always seen to be ideologically neutral. However, this does not mean that photographs, are additionally mediated compared to other components of news discourse. News photography can raise certain ethical issues, such as taste and decency, intrusion, etc. According to Bersak (2006) With great power comes great responsibility. Responsible photo journalism means adherence to a standard of ethics. Additionaly to this, photographs are said to have close links to claims of objectivity, which I will later go onto examine in more detail. I am going to study how World Press journalists, best strike a balance between good taste and the need to convey the realities of violent conflict and the ethical issues within this. I have taken the photographs from the first, second and third place of World Press Photo gallery for the year 2010, in the category of general news. I thought that taking the photographs from this website was appropriate as they focus on delivering a narrative to the viewer. The company is also worldwide and captures pictures from all over the world, which I think is interesting as this broadens the possibility of narrative. I focused on the year 2010, as this obviously contains the most up to date photographs of violent conflict. The first photograph I have chosen to look at was awarded 1st prize singles award by Kent Klich, Sweden. The photo is taken from the Gaza photo album and shows light entering a hole in the roof of a room. The blurb next to the photo explains that the hole was caused by a tank shell in Tuffah, northern Gaza. The family that lived in the house fled during operation Cast Lead, the Israeli attack on Gaza that began at the end of December 2008. Mohammed Shuhada Ali Ahmed, 39, had gone back to fetch clothes for his children and was killed when the shell struck. The second photograph I have chosen was awarded 2nd prize singles award and was by Carlos Villalon, Chile, Redux pictures. The photo features a youth lying dead in a pool of his own blood. The blurb next to the photo explains how it was taken in Madellin, Colombia on 27th September 2009. President Alvaro Uribe has moved successfully against drug cartels in recent years, but as international traffickers left Medellin, their place has been taken by gangs fighting for control of the local drug trade. Violent deaths in the city doubled in 2009, often related to clashes between drug gangs, but sometimes involving innocent bystanders. The third photograph I have chosen was awarded 3rd prize singles award by Rino Castelnuovo, Israel, for the New York Times. The photo features a Jewish man throwing wine at a Palestinian woman. The blurb next to the photo explains how the attack was before a Purim parade in the West bank city of Hebron on 10th March 2009. Purim is an annual Jewish festival with celebrations that include feasting and drinking. Hebron is divided into two zones. In one, under Israeli security control, several hundred Jewish residents live among tens of thousands of Palestinians. Tension between the communities is expressed in acts of harassment and provocation from both sides. All three of the photographs briefly discussed above have been published whether it in a book or a newspaper, for the public eye to consume. The pictures convey an urgent global issue such as violent conflict, which is a true reflection of the world we live in today for some. It would be safe to suggest that the photos discussed, use modern photography, in a very powerful way to portray three different narratives. All of these photographs are used by their publications as a shock tactic, to make the public aware of the realities of violent conflict, whether the photos hold good taste or bad. A main concern is, although, the photographs are the realities of violent conflict for some, the photographs do raise huge ethical issues.This is due to the dissemination of controversial images, and along with this comes many unanswered questions. According to Franklin (2005) When news reporting, it is a journalists professional obligation to be ethical. Meaning basically it is a journalists own commitment to be ethical. Most journalists in Britain today are ethical STUDY 88888 Journalists follow ethical guidelines due to a number of reasons such as to cover themselves ethically, in order to avoid being sued by an organisation or person/s, not to cause damage to their reputation as journalist etc. In Britain, journalists generally tend to follow the National Union of Journalists ethical guidelines, and the first point on it states A journalist has a duty to maintain the highest professional and ethical standards. According to Bersak (2006) The ethical framework a photograph holds has evolved over time, influenced by such things as community values and it is continually developing today. Although, we do have to take into account that not all countries follow this guideline and they can vary. An example of where the journalist may not have been ethical is in the second photograph, of the youth lying dead. Is this right or wrong to show this picture, just to try and accomplish a sensational news story, and thus boosting the circulation of sales of the publication? We have to take into consideration that this youth is a son to someone, how would they feel about this photo? The fact that is has been widely published by Redux pictures (an independent commercial and editorial photo agency, used by publications) would his family have wanted that? Would the youths family have allowed the photograph to be published, to convey to the world the realities of violent conflict? Can World Press Photo justify this journalist taking this photograph? Is it in the public interest to show this photo, or could it be subjected to invasion of privacy? According to Franklin (2005) public interest is the need for information to be published to benefit society. The youth is dead, should he not be allowed privacy at this time and die without being photographed, surely the need to convey the realities of violent conflict cannot be that great. Sometimes in photo journalism, ethical guidelines are broken to represent the true horror of a subject. However, the photograph could offend others and could be the subject of bad taste. It was said by Emery and Smythe (1995) Violence and tragedy are staples of journalism. If it bleeds, it leads, is a popular, unspoken sentiment in many newsrooms. The reason for this obvious incongruity is that a majority of viewers want to see violent pictures, but through gaps in the fingers in front of their face. In an overview of this, journalists should ensure that photographs that display gruesome images (like the photograph of the youth) are really vital, in order to inform the news reader. Journalists, frequently refer to the explanation for using such gruesome photographs as a way to inform the public of the risk, which in this case would be the realities of violent conflict. Personally, I think it is in the public interest to let the public know the realities of violent conflict, however, I do not think this photo is appropriate. If the parents gave Redux permission to go ahead and publish it, I think I would be more accepting of the photo. I think the fact, he is only a youth as well has a part to play, it highlights the fact that he was more vulnerable and thus, maybe why he was attacked. Whose interest is it in to see this poor youth dead and what benefit does this bring to the public, no ones. I think there are other photographs that could have been used to convey the realities of violent conflict, which could have the same affect on the news reader. I do not believe the journalist has tried his/her best to strike a balance between good taste and the need to convey the realities of violent conflict at all. Another interesting point to make is that, although, the photographs convey the realities of violent conflict for some, the photographs hold no objectivity. This is a recurring issue that is often questioned in todays society, should the journalist hold neutrality? Quill (1996) who supports this view states I believe that the journalist should have objectivity, when reporting, they should give all sides a fair hearing. An example, whereby the photograph holds no objectivity, is the third photograph of the Jewish man throwing wine over the Palestinian women, as this is not showing a neutral point of view at all, and in fact conveys that the Jews were the ones in the wrong, the aggressors in this violent conflict, which may/may not have been the case. According to Emery and Smythe (1995) Media critics and viewers question the use of gruesome images and visual messages that perpetuate negative stereotypes of individuals from various multicultural groups. Although, Vistens (1992) argues with this and states journalists do not take sides just pictures, supporting the view that the picture does not need objectivity as it shows the true realities of violent conflict. Reporting the realities of violent conflict encapsulates many journalistic dilemmas. For me this is the most shocking photo, I think it may be because I have never seen a photograph like this before where the man is abusing a woman by throwing wine over her. I do not know whether, it has more of an affect, as it is a man throwing it over a woman. I feel a lot of the time, I am desensitised to photographs of dead people, through seeing them so often in news coverage and this is maybe why I found this image more shocking. It was quoted by Lester (1999) The media have been criticized for showing so many gruesome images that the public has hardened toward violent injustices. The concept of journalistic objectivity is problematic, and has been described as one of journalisms thorniest dilemmas, from both a conceptual and practical point of view. It nevertheless remains at the forefront of societal debate about journalisms role and in journalists own legitimisation of their profession (taken from handout). Although a post modern approach to objectivity supports the view that it is impossible and/ or irrelevant in this day and age, to show objectivity when news reporting, whether it be in photography or writing. I think it is safe to say that the journalist, who took this picture, does give a best strike a balance between good taste and the need to convey the realities of violent conflict. As although, the picture is offensive to some, I do not think it can be subjected to bad taste. The picture does not make the audience look away in horror, as the picture does of the bloody youth. It shows the approach of some Jews, towards the Palestinians. It provokes the emotions of anger and sadness in the news reader and conveys the realities of violent conflict in a powerful way without being distasteful. We have to consider that, the majority of texts concerning ethics in photo journalism concentrate on the subject matter of what could be coined as the photographic reality. In other words, whether a certain picture accurately conveys the topic or whether it misleads the news reader viewer. A journalist is said to give a faithful and comprehensive depiction of the subject at hand in his/her work according to The National Press Photographers Association (NPPA Code of Ethics). However, we have to think about what happens when the journalist is not faithful and comprehensive as it were. The matter of the fact is a journalist can set up a staged news photo and s/he could change it in the darkroom if s/he sought to, in order to enhance the photos impact. New technological equipment is so advanced in society today, that it easily allows journalists to manipulate photographs (for this instance) to convey the realities of violent conflict, which would not be ethically correct. To illustrate this point, if we take photograph one, the picture features a hole in the middle of an empty room of someones house, with a massive hole in the roof. I would like to think this photo had not been altered. Although, it could be possible that the journalist took the photo of the room, without a hole present and added it later on for affect, and the news reader would be none the wiser. Lester (1999) agrees with this viewpoint and states A camera is only as truthful as the hands that guide it. The risk to manipulating photographs, is the public starts to doubt the truthfulness of the news photographs in general, and therefore this could cause the publics view of the journalist profession to suffer, as it has done before in the past. I do not think that the photograph has been manipulated to convey the realities of violent war and conflict. Nor do I think the photograph is distasteful, when viewing the photograph at first, it was actually quite unclear to what the photograph was meant to be conveying. I think that the photograph definitely has a shock tactic, as it shows a hole was caused by a Tank shell, which is incongruous to most of us, as news readers. I think the photograph conveys the realities of war and conflict, with striking a balance between good taste. Although, the photograph is shocking and could offend some, it like photograph three, does not make you look away in horror. This photo, especially does not make me question the ethics of whether the photo should have been published or not, maybe this is because no person is actually featured in the photograph. It was said by Bersak (2006) Each publication has a set of rules, sometimes written, sometimes unwritten, that governs what that publication co nsiders to be a truthful and faithful representation of images to the public. It can be argued, that the difference among ethics and taste is continually up for discussion, particularly, with regards to violence. It was once mentioned to me that, if you would not show the photo to a child then its suitability, taste and decency was too bad and the photo should not get published. There are many models that a journalist can follow, in order to decide whether their story should be published or not, such as Wards (2009) model, who believes there is four stages a journalist can follow for ethical reasoning. STUDY 8888888888 Despite the fact, that a number of us view violence as a matter of taste, others embrace this as ethics. Furthermore, photo journalism ethics may include the decision a journalist photographer makes. For instance, if we take photograph two of the youth lying there, should the journalist have put down his camera, in order to help the bloody youth, is this not intrusion on the youths life, is there really a need to convey the realities of violent conflict that badly? Secondly if a person requests the journalist not to take his/her photo or not to publish the photo, is it ethically correct to go ahead and take/publish the photograph regardless of what the person requested? For example, if we take photograph three of the Jewish man throwing wine over the lady, yes this is a perfect picture of conveying the realities of violence and conflict, that holds a balance between good taste and the need to show the effects, but is it fair to publish the photo say for instance if the Palestinian woman asked for it not to be? Again the journalist is being very intrusive to the Palestinian woman. All of these factors come very close between journalistic photography ethics and a photo journalists professionalism. I would hope that World Press photo has an ethical policy that, journalists have to adhere to.

Expansion of EU :: Economics Trade Indian IT Companies Essays

Expansion of EU The EU Expansion of May 2004 On May 1, 2004, new members were added to EU. The current round of expansion brings 10 new EU kids on the block: Slovenia, Hungary, Slovakia, Czech Republic, Poland, Lithuania, Latvia, Estonia, Cyprus, and Malta. There are more to follow in the EU candidate list. Many of these countries are of varying economic strengths and per capita incomes. The average Gross National Product of the newer countries is significantly different from the first 12 member nations of the EU. Indian IT Industry India has a well-trained work force and the largest pool of English speaking workers anywhere outside native English speaking countries. India produces more engineers and MBAs than any European country. The educated workforce and the currency exchange rates are the prime factors that make India a very attractive location for software development. India’s quality workforce is among the least paid in the world, yet the workers can afford a good standard of living, due to relatively low cost of living in India. Due to these factors, India has emerged as leading software exporter in the world. USA and Europe are the biggest markets for the Indian software companies. The IT exports were worth $12.5 billion in the fiscal year 2003-2004. Trade between India and Europe Before the formation of the EU, USA was the single largest trading partner for India. Many European countries like UK, Germany and France were the other major partners. After the EU came into being, it has replaced USA as India’s leading trade partner. The major industries involved in India-EU trade are steel, cement, Computer Software, etc. India has had much greater business relations with the western European countries as compared to the eastern European countries. Bilateral trade between India and UK grew by over 20% during 2003. The UK is the second largest investor to India. India was the 8th largest investor in the UK in 2003. The UK attracts over 60% of India's investment in Europe. India is the UK's 17th largest export market. India and Germany have strong bi-lateral trade relations. Last year, Germany's trade volume with India totaled some â‚ ¬5 billion ($5.6 billion). India’s IT sector has very strong business relations with Germany. The Changing Scenario? The basic principles on which EU functions involve removal of trade barriers among member countries and facilitation of free movement of people within the EU. Does this also involve restrictive trade practices and exclusion of workers from non-EU countries?

According to Arlov Grammatically

Many instructors urge their students not to start their sentences with the word â€Å"but†, or any other coordination conjunction for that matter. This can be disheartening for students because we commonly speak with our sentences beginning with a conjunction. However, writing is not like speaking. There are two schools of thought on beginning a sentence with the word, â€Å"but†. According to Arlov, â€Å"Grammatically, it is correct to start a sentence with but or any other FANBOYS conjunction.However, your instructors may discourage the practice for two good reasons† (343). She goes on to list the reasons. One good reason not to begin a sentence with the word but is because it is informal and casual. Academic writing is not usually casual or informal, and using â€Å"but† at the beginning of a sentence may make a more formal paper appear less than well thought out.While it is OK for some sorts of writing such as narrative or dialog, a professional paper is seldom written with coordination conjunctions at the beginning of sentences. Also, using words like â€Å"but† is addictive! It is easy to use and overuse. Arlov advises using conjunctions to begin sentences sparingly so as not to make it a hard habit to break. The other side of the issue says using but is just like using any other word to begin a sentence, and therefore, there is nothing wrong with it.

The Railway Children

Chap 1: The Beginning of things The Railway Children Answer the following questions 1. What did Peter get as his birthday present? 2. How did Father treat the children? 3. What was Father doing when the two gentlemen arrived? 4. Who left their family after their father went away? 5. What did Mother make the children promise to her? 6. Where did the three children and their mother move to after leaving London? 7. What did the children bring along with them to the countryside cottage? 8. What happened to them at the cottage upon their arrival? Chap 2: Peter and the coalThe Railway Children Answer the following questions 1. What did the children and their mother do when they could not find their supper? 2. What did the children do when they woke up the following morning? 3. Where did the children go after breakfast? 4. What was the function of the white line on the wall? 5. How did their mother provide for the family expenses? 6. Why didn’t the family light fires to keep their ho use warm during the wet rainy days? 7. What happened to Peter at the station yard? 8. What lesson did the children learn from the coal incident?Chap 3: The Old Gentleman The Railway Children Answer the following questions 1. What did the children do when the trains going to London passed by? 2. Who waved back at the three children? 3. What did the children do at the train station? 4. What happened to the children’s mother? 5. Who came to check on Mother’s condition? 6. What was needed by their mother in order to get well? 7. How did Peter attract the Old Gentleman’s attention? 8. What did Perks, the porter, bring for the children? Chap 4: Bobbie’s Ride The Railway ChildrenAnswer the following questions 1. What was Mother’s reaction when the children told her that they had asked the Old Gentleman to help them buy food and medicine for her? 2. Why did Mother write a letter to the Old Gentleman? 3. What did Bobbie receive for her birthday? 4. Why did Bobbie’s birthday celebrations end on a sad note? 5. What happened to Bobbie on the steam train? 6. Who were the two railway workers who saw Bobbie on the train? 7. Where did Bobbie change trains to go back home? 8. How did Peter feel when he saw that his train engine was repaired?Chap 5: Saving the train The Railway Children Answer the following questions 1. Where were the children when the landslide hit the railway line? 2. Who suggested to use the red petticoats as flags? 3. Did the children manage to stop the train? How did they do it? 4. What is the consequence of the children’s actions? 5. Who invited the children to the train station for a special ceremony? 6. Why was the ceremony held? 7. What did the children get from the Northern and Southern Railway Company? 8. Who did the Old Gentleman meet at the children’s house?